Charles Bernstein’s poetry is relentlessly experimental, playful, eclectic, irreverent, often humorous and sometimes uncomfortable when it is at odds with the readers’ expectations or convictions. As one of the founders of the so-called ‘Language school’ of poetry (usually spelled L=A=N=G=U=A=G=E), Bernstein explores the uses of language within diverse social contexts. His work focuses on the ways we rely on words, expressions, metaphors, and on the meanings our culture attaches to its own verbal productions. Bernstein’s poetic work often mocks the jargon of politics, popular culture, advertising, corporate culture or academia. By foregrounding the hidden workings of ideology in language, Bernstein’s work defamiliarizes our deeply held beliefs and values. As Bernstein says in an interview with Bradford Senning: “I want to engage the materials of the culture, derange them as they have deranged me, sound them out, as they sound me out.”
“The Darkness He Called Night” is, of course, a reference to the Biblical act of creation – more precisely, the moment when God