Jesus, Mary, and Brzeski
i
Designed by Janusz Maria Brzeski
Art

Jesus, Mary, and Brzeski

A Trendsetting Graphic Designer
Ewa Pawlik
Reading
time 4 minutes

The cover shown here belongs to the first issue of Przekrój, which appeared on April 15, 1945––before the end of the Second World War. At the time, the future of the magazine was uncertain.

The designer of this cover and the overall look of Przekrój was Janusz Maria Brzeski, the artist who popularized the collage technique in Poland.

Designed by Janusz Maria Brzeski

The term “collage” was used in China as early as 200 BCE, but only appeared in Europe at the beginning of the 20th century. The cubists Georges Braque, and slightly later, Pablo Picasso, were the first to use it––one of Picasso’s famous early collages

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A City in Ruins
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A City in Ruins

The Aftermath of the Warsaw Uprising
Ewa Pawlik

Some difficulties arise when we discuss the aesthetic values of the cover of the 16th issue of “Przekrój”. It went on sale at the end of July 1945 and focused mainly on the Warsaw Uprising.

As the caption informs us, the photograph depicts the ruins of the Royal Castle seen from Nowy Zjazd. I’m glad that the caption is there – otherwise, it’d be impossible to identify this pile of rubble. There are similar photos inside, and they all depict total and utter destruction. There is also a spread with Ludwik Cieślik’s drawings from a series entitled Warszawa cierpiąca [Warsaw Suffering] with meaningful titles: Powstańcy w okopach [Insurgents in the Trenches], Atak czołgów odparty [Enemy Tanks Fought Off], Po wygnaniu z domów [Banished from Their Homes], Obóz w Pruszkowie [Camp in Pruszków]. Today, the extreme images may surprise readers who only know the later issues of “Przekrój”. In the first two or three years after the war, the weekly published a number of shocking photographs documenting the aftermath of the Uprising. It is unthinkable that any magazine would print such shots today. We now have a different pain threshold. Thankfully.

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